#Matsuda usachiko mangao tv

Matsuda's voice and singing technique have won her two best performance awards from Nippon Record Awards, first in 1983 for ガラスの林檎 (lit. Her hair styles, fashion sense and makeup have all been copied by millions of girls and women in Japan and in certain parts of Asia. She was labeled a 'Mamadol' (idol who remains popular even after having children). Her long staying power is mainly due to her continuous re-invention of herself. 1 everlasting idol of all time, beating Momoe Yamaguchi (2), Kyōko Koizumi (3), Morning Musume (4) and Akina Nakamori (5). In a May 2011, an Oricon survey crowned her the No. So far, this has only happened three times. Matsuda was the first artist to have a single and an album debut at No. Both records have since been broken by Hamasaki. Matsuda also held records for the most top-ten albums (50) and most number-one albums. It was broken by Hamasaki's ' L' in September/October 2010. Matsuda's held the record for the most consecutive number-one singles (24) by a female singer and any soloist for 22 years, from 1988 to 2010. She held the record for the most number-one singles (25) by a female singer for 18 years, from 1988 till 2006, when Ayumi Hamasaki's ' Startin'/Born to Be.' became her 26th single to top the charts. Matsuda held the record for the most number-one singles (25) and most consecutive number-one singles (24) on Japan's Oricon charts for 12 years, from 1988 to 2000. It was certified a million-seller by RIAJ. 'I want to meet you ~Missing you~') in 1996, which would become her last number-one single to date. Matsuda had another number-one single 'Anata ni Aitakute ~Missing You~' (lit. Her run of number-one records ended in 1989 when her 27th single 'Precious Heart' ranked at number two, behind Tetsuya Komuro's 'Gravity of Love'. She shattered the former Japanese record of nine consecutive number-ones by popular 1970s music duo Pink Lady. 'Wind Is Autumn Color') became the first of her 24 consecutive number one hits in Japan. Later in the same year, her third single 'Kaze wa Aki-iro' (lit. Matsuda was the overall finale performer of Kouhaku (Red White Music Battle) in 20, the prestigious NHK New Year's Eve Music show on which she has performed 24 times (until 2020).Īfter winning the 'Miss Seventeen' contest held by a popular magazine in 1978, a sixteen-year-old girl named Noriko Kamachi from Kurume, Fukuoka adopted the stage name 'Seiko Matsuda' and rose to fame in 1980 as a teen idol, making her debut with the song 'Hadashi no Kisetsu' (lit. Matsuda once held the record for number-one hits from 1983 to 2000 (broken by B'z) and for solo artist (broken by Ayumi Hamasaki in 2006). Her legacy is best expressed in singles rather than albums.' In 2016, however, Ian Martin of The Japan Times compared her output unfavorably with that of Hikaru Utada, describing Matsuda as 'first and foremost an idol rather than an artist. She placed right behind pop group SMAP and ahead of Akina Nakamori, her biggest rival from the 1980s, who was listed in third place. In January 2011, the Japanese music television program Music Station listed her as the 2nd best-selling idol of all time in Japan, with 29,510,000 records sold. ĭue to her popularity in the 1980s and her long career, she has been dubbed the 'Eternal Idol' by the Japanese media.

#Matsuda usachiko mangao tv

Since then, she is still actively releasing new singles and albums, doing annual summer concert tours, winter dinner shows, high-profile TV commercials and movies, and makes frequent TV appearances and radio broadcasts. Noriko Kamachi ( 蒲池法子, Kamachi Noriko, born 10 March 1962), professionally known as Seiko Matsuda ( 松田聖子, Matsuda Seiko), is a Japanese pop singer and songwriter, known for being one of the most popular Japanese idols of the 1980s. For more guidance, see Wikipedia:Translation.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.

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